Paradisiaca Americana
Paradisiaca Americana

Hand painted woodcut on woven Stonehenge paper.
8 x 10 in 2020

Society of the Spectacle
Society of the Spectacle

Linocut on Stonehenge 250 gsm woven paper, printed with black Speedball oil-based ink. 11 x 15in.

Based on the book cover of the Critical Theory on modern consumer society by Guy Debord.

Resonance
Resonance

Linocut inspired by a garlic induced nightmare on woven paper. 2019

538F1B5C-611B-4DC8-B7BD-FB7F0E11E7C2.jpeg
Resonance (detail)
Resonance (detail)
Toxic Funds
Toxic Funds

Woodcut diptych

18 x 27 in

2019

Architecture of Paradise
Architecture of Paradise

Plastic Bag monotype,

8.5 x 11 in 2020

84E3842B-95EA-4184-A6FE-5C042BB84B7F.jpeg
Between the Raindrops ( without getting wet)
Between the Raindrops ( without getting wet)

Monotype, stencil, spray paint

11 x 15 in

2020

Paradisiaca Americana
Society of the Spectacle
Resonance
538F1B5C-611B-4DC8-B7BD-FB7F0E11E7C2.jpeg
Resonance (detail)
Toxic Funds
Architecture of Paradise
84E3842B-95EA-4184-A6FE-5C042BB84B7F.jpeg
Between the Raindrops ( without getting wet)
Paradisiaca Americana

Hand painted woodcut on woven Stonehenge paper.
8 x 10 in 2020

Society of the Spectacle

Linocut on Stonehenge 250 gsm woven paper, printed with black Speedball oil-based ink. 11 x 15in.

Based on the book cover of the Critical Theory on modern consumer society by Guy Debord.

Resonance

Linocut inspired by a garlic induced nightmare on woven paper. 2019

Resonance (detail)
Toxic Funds

Woodcut diptych

18 x 27 in

2019

Architecture of Paradise

Plastic Bag monotype,

8.5 x 11 in 2020

Between the Raindrops ( without getting wet)

Monotype, stencil, spray paint

11 x 15 in

2020

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